Angustia de Las Influencias by Harold Bloom at – ISBN – ISBN – Monte Avila Editores Latinoamericana . 6 jan. ANGÚSTIA DA INFLUÊNCIA HAROLD BLOOM NEW CRITICISM Angústia da Influência: ANGUSTIA DA INFLUÊNCIA Um poeta ou escritor. Get this from a library! La angustia de las influencias: una teoría de la poesía. [ Harold Bloom].

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A Theory of Poetry is a book by Harold Bloom.

This article relies too much on references to primary sources. This article has multiple issues. Please help improve this article by adding citations to reliable sources. A Theory of Poetry. Statements consisting only of original research should be removed.

Views Read Edit View history. Cover of bbloom first edition. Retrieved from ” https: This article possibly contains original research. From Wikipedia, the free encyclopedia.

By using this site, you agree to the Terms of Use and Privacy Policy. Because poets historically emphasize an influejcias poetic vision in order to guarantee their survival into posterity i.

Bloom’s central thesis is that poets are hindered in their creative process by the ambiguous relationship they necessarily maintained with precursor poets. Bloom since has changed his mind, and the most recent editions of The Anxiety of Influence include a preface claiming that Shakespeare was troubled early in his career by the influence of Christopher Marlowe.


Please help improve it or discuss these issues on the talk harolx.

ANGUSTIA DA INFLUENCIA by Ana Paula Alves on Prezi

Please improve this by adding secondary or tertiary sources. In The Anxiety of Influence and other early books, Bloom claimed that influence was particularly important for post- enlightenment poets. hharold

This page was last edited on 28 Augustat The book itself is divided into six major categories, called “six revisionary ratios” by Bloom. They are clinamentesserakenosisdaemonizationaskesisand apophrades.

Angustia de Las Influencias

Please improve it by verifying the claims made and adding inline citations. While admitting the influence of extraliterary experience on every poet, he argues that “the poet in a poet” is inspired to write by reading another poet’s poetry and will tend to produce work that is in danger of being derivative of existing poetry, and, therefore, weak.

It was the first in a series of books that advanced a new “revisionary” or antithetical [1] approach to literary criticism.

This article needs additional citations for verification. The Anxiety of Influence: Learn how and when to remove these template messages.

La angustia de las influencias – Harold Bloom – Google Books

August Learn how and when to remove this template message. Bloom introduces his six revisionary ratios in the following manner, which he consistently applies in this book as well as his successor volume titled A Map of Misreading.


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Thus Bliom attempts to work out the process by which the small minority of ‘strong’ poets manage to create original inlfuencias in spite of the pressure of influence. Conversely, he suggested that influence might have been less of a problem for such poets as Shakespeare and Ben Jonson. This is reflected in the emphasis given to those poets and their struggle with the influence of John MiltonRobert Browning, and Edmund Spenser.

Such an agonBloom argues, depends on six revisionary ratios, [2] which reflect Freudian and quasi-Freudian defense mechanisms, as well as the tropes of classical rhetoric. Before writing this book, Bloom spent a decade studying the Romantic poets of the early nineteenth century. Unsourced material may be challenged and removed.